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ABOUT THE GUITARS

MODEL5-24 Standard Modern
FINISHNatural
BODYMyrtle on chambered okoume
NECKRoasted maple with thin matte nitro finish
FINGERBOARDAmazon Rosewood, 12″ radius, 1.75″ nut width
PICKGUARDNone
HARDWAREBlack
PICKUPSSadowsky soapbars in modern locations
PREAMPSadowsky preamp with vintage tone control
PRICE$5,800
MODEL5-21 Vintage J-bass
FINISHNatural
BODYChambered Okume
NECKRoasted flame maple with thin matte nitro finish
FINGERBOARDMastergrade Brazilian Rosewood, 12″ radius, 1.875″ nut width
NECKGUARDNone
HARDWAREBlack
PICKUPSSadowsky Humcancelling
PREAMPSadowsky preamp with vintage tone control
PRICE$6,700
MODEL4-21 Vintage J-bass
FINISHCustom T-Blue
BODYMaster Grade flame maple on chambered swamp ash
NECKMaple with thin matte nitro finish
FINGERBOARDMaple, 12″ radius, 1.5″ nut width
PICKGUARDPlexi
HARDWAREChrome
PICKUPSHumcancelling
PREAMPSadowsky preamp with vintage tone control
PRICE$5,250
MODELStandard SS-13 Broadway
FINISHNatural
BODYKoa (top and back) on chambered spruce
NECKRoasted maple with thin matte nitro finish
FINGERBOARDBrazilian rosewood, 12″ radius, 1 11/16″ nut width
PICKGUARDNone
HARDWAREGold
PICKUPSSadowsky humbuckers
PREAMPSadowsky preamp with mid and mid/gain boost
PRICE$9,175
MODEL5-24 Standard Single Cut
FINISHNatural
BODYChambered swamp ash
NECKmaple with thin matte nitro finish
FINGERBOARDBirdseye maple, 12″ radius, 1.75″ nut width
PICKGUARDNone
HARDWAREBlack
PICKUPSSadowsky soapbars in modern locations
PREAMPSadowsky preamp with switchable mid-boost
PRICE$6,350
MODEL5-21 Standard J-bass
FINISHNatural
BODYBuckeye burl on chambered alder
NECKRoasted maple with thin matte nitro finish
FINGERBOARDEbony, 12″ radius, 1.75″ nut width
PICKGUARDNone
HARDWAREBlack
PICKUPSSadowsky single-coil
PREAMPSadowsky preamp with vintage tone control
PRICE$7,050

ABOUT THE BUILDER

Roger Sadowsky is one of the most highly respected instrument makers in the world. His instruments are played by many of the world’s greatest artists including guitarists Jim Hall, John Abercrombie, Pat Metheny, Lee Ritenour, Chuck Loeb and bass players Marcus Miller, Will Lee, Rickey Minor, Michael Rhodes, Verdine White and Jason Newsted.

  1.  How did you get started building instruments?  During graduate school, I got in with a group of professional folk musicians and admired all of their vintage Martin guitars.  I got obsessed with the guitar and had this romantic notion that if I could learn to build them, I could escape from the rat race, live in the country and musicians would beat a path to my door.  After a year of writing to guitar makers all over the world with no success, I finally got a job with Augie LoPrinzi, who was building acoustic guitars in New Jersey.
  2. What differentiates your instruments from others in the field?  I think my background in acoustic instruments helped me build a lightweight, acoustically resonant instrument.  And my background in shielding and hum cancelling technology produced instruments that were significantly quieter than many others on the market.   Of course, I have always had a reputation for being “picky” and a stickler for quality, regarding both materials and workmanship.